Love, the
deadliest of all deadly things: It kills you both when you have it and when you
don't.

Every citizen in America must legally undergo a procedure to
‘cure’ them of the ability to love anyone, even their families. Lena is
counting down the weeks and days until she is cured, and will not have to worry
anymore, unlike her best friend Hannah, who is completely blaze about the whole
concept. Lena is the perfect candidate, and has been practising her answers
that she must seamlessly repeat to the judges for months. She is the straight A
student, girl next door type, at least, until she catches someone’s eye.
However, Lena has reason to be worried. Her mother was one
of the ‘unfortunate’ people who could not be cured, and thus resulted in
disgracing the family and tainting their family name. Lena has the ability to
love in her blood, which she cannot suppress anymore. Her mother could not face
the loss of her husband who she really loved after he died. Lena is taken in
her by aunt, and strives to live as closely as possible to the rules and
regulations. She tries to do this more so than anyone else her age to rise
above the pitying looks people give her.
All love is stripped from this world. After the ‘cure’,
couples are then matched by the government, according to interests and
compatible rankings. The society is robbed of all empathy and passion, and
instead replaced with convenience and ‘relationships’ that are more like
business than anything else.
The whole concept of love being a hideous disease is drummed
into everyone from a young age, at school, by parents and family and by the
government. There is also an official book, The Book of Shhh, which quotes from are used
as epitaphs at the start of each chapter, emphasising the strictness of this
society and the official style of them creates the idea that this movement
actually happened in a time in history. It also helps the reader believe that
this dystopian society could exist. As with other dystopian literature, it can
sometimes be unimaginable or unrealistic, but Oliver manages to avoid this
concept.
Oliver’s love story is heightened by her beautiful fluid
writing. She writes almost poetically which enables the reader to really
vividly imagine her scenes and understand the feelings the characters are going
through and experience, most of which are almost impossible for us to imagine.
Overall, this book is probably more of a teenage futuristic romance;
however the concept is intriguing and rather stimulating. Let’s just hope the
world never ends up like this. After all, it is love that makes the world go
round.
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